The exhibition HOOGLICHT has ended due to the COVID-19 outbreak.
The exhibition has ended due to the COVID-19 outbreak. Look for a […]
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News
Nieuw blog bericht
09 Kunstenaar-curator, een dilemma? Een jaar geleden werd mij door het kunstplatform […]
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BOVEN DE BANK Coronastatus March 19: @logman_gallery is open by appointment from Friday March 20 on Thursdays, Fridays and Saturdays from noon – 6 PM. 2 people per 30 minutes. Make an appointment via henk@logman.gallery and we will plan your visit.
Henk Logman and Lydia van Oosten are organizing a sales exhibition from […]
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ON LOOKING Gallery O-68 The next exhibition ‘on looking’ with artists Harrie Gerritz, Marena Seeling and Isolde Venrooy, which would open on April 5, is postponed due to the Covid-19 virus.
Exhibition at gallery O 68 together with Isolde Venrooy and Harrie Gerritz. […]
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Blogbericht 08 Meten is weten
In het atelier slingeren ze rond, allerlei vormen. Ze liggen op schappen […]
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Reuten galerie ON THE PAPER SCREEN
On the Paper Screen – groupshow opening on Saturday 7 September from […]
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galerie Agnes Raben WONDERLAND
Wonderland An attractive summer exhibition. 30 May to 30 June 2019 With […]
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Wat zie ik…? Artist’s talk galerie O-68
Maandag 29 April ‘Artist’s talk’ door Marena Seeling in ArtinLifeo68 artist’s talk Marena […]
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Blogbericht 07 Binnenstebuiten
De overgang van een werkperiode in de beslotenheid van het atelier en […]
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Galerie Agnes Raben HYDROGRAPHY VII
Hydrography VII, an exhibition with abstract, experimental watercolor work by visual artists […]
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Vouch – the valid art valet
Vouch is the platform where people who are curious about art and […]
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blogbericht 06 The panorama discovered revisited
Regelmatig ga ik naar plekken die van betekenis zijn in mijn werk […]
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THE PANORAMA DISCOVERED
“Marena Seeling confronts space. She doesn’t go up the new bridge over […]
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blogbericht 05 Ongrijpbaar gekleurd water
Er zijn tijden dat het hoofd leeg moet en ik me wil […]
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Reutengalerie CONCEPTS IN ABSTRACT ART
Dear friends, art lovers and interested people. Be welcome at the opening […]
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